MAIFF 2026  -

EMW

Love Letter

June 8

Cinema Moderne

Fiction

117

minutes

Japanese

Content Warning:

About the Film

Director

Shunji Iwai

Country

Japan

Year

1995

Program

New Wave Asian Cinema

Curated by

MAiFF Programming Team

Description

Synopsis | Hiroko attends the memorial service of her fiancé, Itsuki Fujii, who died in a mountain-climbing incident. Although Itsuki’s mother says that their old house is gone, Hiroko records the address listed under his name in his yearbook and sends him a letter. Surprisingly, she receives a reply, and discovers it came from his old classmate, a girl who also happens to be called Itsuki Fujii. Iwai’s work in the 1990s defined a new era of Japanese filmmaking, creating what became known as the "Iwai aesthetic"—a dreamy, poetic style marked by stunning cinematography and a deep sensitivity to the nuances of youth and memory. His influence extends beyond cinema into music videos and pop culture, capturing the hearts of a generation. We are thrilled to present his 1995 masterpiece, Love Letter (ラヴレター). A heart-wrenching story of mistaken identity and lost love, this beautiful film became a cultural phenomenon across Asia and remains a timeless classic of romance cinema.

Programmer's note | To remember someone is to live in the time of love. A feeling that once only passed through slowly returns in snow-covered landscapes and in the breath of letters. A first love long buried in the heart comes back one day with the face of the present. A single letter, a hesitant voice, and a confession never delivered cast their quiet light across a life. Love settles in this way, like a season that seeps deep into someone and gently changes the texture of their life. The film remembers a love that has passed and lingers over the moment when that love comes to know its own name too late. It follows the quiet duration of love and reveals moments in which even absence seems to carry its warmth. In speaking the name of someone already gone, one may still rediscover a light alive within. That late recognition softly reshapes all the time that came before in the name of love. The film leaves us with a page inside us that does not easily close. We are left with the feeling that a heart once thought finished was still alive and still moving. We are left, too, with the sense that love goes on growing within us even after it has ended.

Watch Trailer
About the Director
Shunji Iwai
Director
Shunji Iwai is a renowned Japanese filmmaker, screenwriter, and author known for his distinct, dreamy visual style ("Iwai Aesthetics") and exploration of youth, nostalgia, and melancholy. Emerging from music videos and TV in the early '90s, he gained fame with Love Letter (1995) and All About Lily Chou-Chou (2001)
Film Stills
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Awards & Festival Recognition

Wins: 1996 Japanese Academy Awards - Newcomer of the Year (Miki Sakai), 1996 Japanese Academy Awards - Newcomer of the Year (Takashi Kashiwabara), 1996 Japanese Academy Awards - Most Popular Performer (Etsushi Toyokawa), 1996 Blue Ribbon Awards - Best Actress (Miho Nakayama), 1996 Kinema Junpo Awards – Best Film (Shunji Iwai), 1995 Hochi Film Awards - Best Actress (Miho Nakayama), 1995 Hochi Film Awards - Best Supporting Actor (Etsushi Toyokawa), 1995 Toronto International Film Festival - Audience Award Nominations: 1996 Japanese Academy Awards - Best Film, 1996 Japanese Academy Awards - Best Music (Remedios), 1996 Japanese Academy Awards - Best Supporting Actor (Etsushi Toyokawa)

Press & Articles

https://a-rabbitsfoot.com/editorial/confessions/shunji-iwai-on-30-years-of-filmmaking/