It is a great pleasure for Art Souterrain to partner with MAiFF and celebrate the richness of Asian and Asian-Canadian creativity together. This collaboration highlights how art and culture can bring communities closer. In Montreal, a city defined by its diversity and vibrancy, initiatives like MAiFF remind us of the importance of connecting cultures, sharing stories, and embracing multiple viewpoints. Contemporary Asian cinema, with its visual power and sensitivity, allows us to explore the complexity of our society while fostering curiosity and openness to the world. This partnership emphasizes the value of dialogue and exchange between different artistic and cultural communities—a cornerstone of creativity in a city like Montreal.

I’m honoured that There Are No Words has been selected as the Opening Film for the 13th Montreal Asian International Film Festival. It feels especially meaningful for the film to begin its journey here, in a space committed to Asian and Asian Canadian artists, where the work is not only screened but situated within a larger conversation about history, memory, and the conditions that shape our lives.

The film traces the afterlives of Cold War militarism as they continue to move through family relations, often in ways that are difficult to resolve. Festivals like MAiFF create the conditions for these stories to be held collectively, across generations and communities, and to be engaged within their full complexity. I’m grateful to the festival for its long-standing commitment to artists and to building a space where diasporic voices can be seen and heard with care and intention. I look forward to being part of this year’s edition and to the conversations that will emerge from it.

For over five decades, Groupe Intervention Vidéo (GIV) has been a center dedicated to the distribution and dissemination of independent video works created by women, in its most inclusive definition, with a sustained commitment to feminist practices and underrepresented voices. The Montreal Asian International Film Festival (MAIFF) shares this commitment to visibility by creating a space for encounter for Asian voices that reflects the diversity and complexity of contemporary experiences. As a site of intervention, GIV is grateful to present works from its collection within this festival context, where artistic practices engage with social, cultural, and political realities, contributing to the ongoing redefinition of identities. We extend our sincere gratitude to the artists, collaborators, and audiences whose presence sustains and nourishes this community, and we look forward to continuing our collaboration with the wonderful MAIFF team!

It is my pleasure to extend my heartfelt congratulations on the 30th anniversary of Arts East–West, and on this meaningful new chapter as the Montreal Asian International Film Festival (MAiFF). Over the years, KFFC has played a vital role in introducing Korean cinema to audiences in Canada, contributing significantly to its global reach and to cross-cultural exchange. This transition marks an important turning point to become a broader and more inclusive platform.

The Korean Film Archive has been proud to collaborate with Arts East–West in bringing Korean classic films to international audiences and promoting the value of Korea’s film heritage through digital archives. In particular, the retrospective of actor Ahn Sung-ki, presented through this collaboration, offers a meaningful opportunity to revisit his distinguished legacy on the international stage. We commend Arts East–West for its continued dedication to building bridges between Asian cinema and Western audiences.

I have been following the work of Mi-Jeong Lee for several years and have found her efforts to raise the visibility of Asian arts and culture in Quebec impressive. Quebec is a complex society that is both welcoming and impenetrable. Achieving a true dialogue demands patience and persistence, qualities that Mi-Jeong has demonstrated in abundance since establishing Arts East-West in 1995. What impresses me most about Mi-Jeong and her young team is the constant quest to evolve, to make new discoveries, and to include new partners. The focus is resolutely Asian, and the desire to showcase the work of Asian filmmakers is a constant. This vision is coupled with the goal of connecting Asian artists with new audiences, which may be encountering Asian culture for the first time, or in new ways. This ambitious program benefits everyone involved. Welcome to the 2026 Festival. I wish you memorable artistic and human encounters.

Last September, my debut novel, Oxford Soju Club, entered the world, and it changed my life in two important ways. First, I finally became the writer I had aspired to be for as long as I can remember. Second, I was welcomed into a rich and vibrant community of fellow Asian artists. Through that experience, I came to understand just how essential community is in giving artists access, visibility, and the support needed to thrive.That is why it is such a pleasure to be part of the wonderful team at Arts East-West as we present this year’s Montreal Asian International Film Festival, marking an exciting evolution for the organization. What began as a festival centered on Korean cinema has now expanded to embrace Pan-Asian voices. It is a timely and meaningful shift at a moment when building solidarity and connection across diaspora communities feels more important than ever.Though my involvement with the organization hasn’t been long, seeing its impact has been incredibly meaningful to me. So as the Director of Book Dongne, as the Director of Communications of Arts East-West, and most of all, as an artist who values the organization’s mission, I’d like to thank you all for supporting diaspora arts through this year’s MAIFF.

On behalf of the English-Language Arts Network (ELAN), I’m honoured to welcome you to the 13th edition of the Montreal Asian International Film Festival. Building on the successes of previous years, this edition of the festival will offer audiences another year of bold and engaging programming and many opportunities for rich intercultural exchange. Through their engagement with the theme of tangibility and their exploration of identity anchored in tradition yet open to exchange, this year’s selection of films is sure to resonate with Montrealers and reflect the vibrant diversity that is their daily reality in the city.

It is a true honor to celebrate the transformation of the Korean Film Festival Canada into the Montreal Asian International Film Festival (MAiFF), marking an exciting new chapter that embraces a broader and more inclusive vision of Asian and Asian diasporic storytelling. Over the past 30 years, Arts East-West has played a vital role in creating space for diverse voices, and MAiFF continues this legacy by connecting artists and audiences across cultures, generations, and lived experiences.

I am especially grateful to be part of MAiFF 2026 with my documentary Landscapes of Home, a film that reflects on identity, belonging, and the meaning of home across borders. I hope the festival will serve as a meaningful platform where stories resonate deeply and spark conversations that extend beyond the screen. Congratulations on this milestone, and I look forward to the powerful stories and connections that will emerge from this year’s festival.

Hi, I’m Huiju Park, a Korean documentary director based in London. I want to start by saying thank you to the festival for selecting this film. It really means a lot to me, personally and for the film, to be part of the Montreal Asian Film Festival as a Korean filmmaker. It feels special to be showing this work alongside films that speak to different experiences within the Asian diaspora, and to be introducedthrough this space.

This film comes from a very personal place. It touches on domestic violence and intergenerational trauma, but for me it’s also about something quieter. It's about where you’re from, the people who shape you, and how that stays with you as you grow. I don’t have a fixed way I want the film to be understood, but I do hope that, in some way, it lets you reflect on your own sense of self, or your roots, however you define them.

I’m really curious to see how audiences at the festival respond to it. And congratulations on the 13th edition — I’m grateful to be part of it.

On behalf of McGill’s South Asian Studies Student Association (SASSA), I am beyond honoured and excited to give my support to the 13th edition of the Montreal Asian International Film Festival (MAIFF)! As a student organization that represents the scholarship of Asian history, culture, and diaspora, we realize the importance of events like MAIFF in providing a space to enjoy and appreciate Asian art. We truly appreciate MAIFF’s aim to create a festival that speaks to the vast and beautiful culture of Asia and are looking forward to the works that will be showcased this year. For students in particular, it is so necessary to uplift and encourage creativity at a time where art is needed more than ever. Film is so intrinsic to community expression and there is great value in the opportunity MAIFF is building for cultural exchanges. We want to extend our deepest gratitude to all of the artists and organizers who make spaces such as MAIFF possible. Thank you and enjoy the festival!

Congratulations on the opening of the 13th Montreal Asian International Film Festival!

It is an honour for me to have The Golden Village be a part of this vibrant program of films that reflect the depth, creativity, and evolving stories of Asian artists and Asian diasporic cinema. The Golden Village is a film that celebrates how new waves of immigration can shape a city over time, adding new layers of connection and community to a place.

I’m especially proud for this film to be part of a festival that creates space for connection, dialogue, and adding new voices to the cinematic landscape.

I have known Mi-Jeong Lee since 2013. Talented and tireless, an artist, film-maker, scholar and artistic curator, she has created the dynamic Montreal Asian International Film Festival (MAiFF), now hosting its 12th edition in 2026. Ms. Lee has sought and found the support of many dedicated people, Montréal, Canada, Korea, and elsewhere, to not bring world-class cinema to Canadians. She also encouraged and supported up-and-coming filmmakers and artists at MAiFF and otherwise.

Besides that, the umbrella organization, Arts East-West, that she started, showcases diverse artistic events. This year, I am honoured to participate in Intercultural Favours, an interactive workshop that combines literature, readings, food tasting, creative food writing exercises. More power to MAiFF and Arts East-West!

It is a great pleasure for the Goethe-Institut Montréal to partner with MAiFF for the 2026 edition of the festival. Montréal draws its strength from its diversity, creativity, and openness, and festivals such as this one play an essential role in bringing communities together through cinema, artistic expression, and cultural exchange. We are proud that part of this year’s program will take place at the Goethe-Institut, transforming our space into a place of dialogue, discovery, and encounter. The festival’s commitment to showcasing diverse voices and perspectives deeply resonates with our mission of fostering intercultural understanding through the arts. I would like to warmly thank the organizers, artists, filmmakers, volunteers, and partners whose dedication makes this inspiring event possible. I wish you all a festival filled with memorable films, meaningful conversations, and inspiring encounters.

It is a great pleasure to extend my warmest congratulations on the opening of the Montreal Asian International Film Festival (MAiFF).

Quebec, and Montreal in particular, is internationally recognized as a vibrant center of arts, culture, and cinematic creativity. I am especially pleased to witness the continued growth of cultural and cinematic exchanges between Korea and Quebec. In recent years, Korean films, directors, and artists have received enthusiastic recognition from audiences and cultural institutions across Quebec, reflecting the growing interest in Korean culture and storytelling.

Special recognition should also be given to the organizers, volunteers, sponsors, filmmakers, artists, and community leaders whose dedication, passion, and vision have made this festival possible. I sincerely hope that MAiFF will continue to grow as an inspiring cultural forum that strengthens friendship and understanding between Quebec, Korea, and the broader international community. May this year’s festival offer audiences memorable experiences, meaningful encounters, and the opportunity to discover outstanding films and new perspectives from around the world. I wish the Montreal Asian International Film Festival every success and all participants a truly inspiring and memorable celebration of cinema and culture.

Hello, I’m Yujin Lee, director of Manok.

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I’m truly honored and very happy to share Manok with audiences at the 13th Montreal Asian International Film Festival (MAiFF). I would also like to sincerely congratulate and support Arts East-West on its 30th anniversary and this meaningful new chapter as MAiFF — a festival embracing even wider and more diverse stories.

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Manok began with a simple wish: to create a queer film that feels safe, joyful, and fun to experience together. While screening the film in Korea and at festivals in many different countries and cities, I realized that many people carry memories of a “home” that was not always safe or welcoming. But at the same time, they still deeply miss that place.

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In that sense, I believe Manok has been able to connect with audiences from different cultures and communities. That is why it feels especially meaningful to present this film at an Asian film festival in Montreal, where many languages, stories, and identities coexist. Thank you sincerely for warmly welcoming Manok. I hope our film can bring gentle laughter and courage to all of you.

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Thank you.

It is my great honour to extend warm greetings to the 13^th Montreal Asian International Film Festival.

On behalf of the Niagara International Music Film Festival (NIMFF), I would like to sincerely congratulate MAIFF on its continued dedication to celebrating Asian cinema and fostering meaningful cultural exchange.

Cinema is a profound medium where image and sound converge to create a shared emotional language. Festivals such as MAIFF play an essential role in amplifying diverse voices and building cultural bridges through this artistic dialogue. We deeply respect your commitment to showcasing stories that reflect both creative excellence and cultural identity.

We are pleased to share in this spirit of collaboration within the international film community and look forward to the meaningful synergy our two festivals will continue to cultivate together in the years ahead.

Wishing you a vibrant and inspiring 2026 edition.

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Hyesook Hwang Festival Director / Chair, Steering Committee 

Niagara International Music Film Festival (NIMFF)

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